![]() True to form, his new album, “Punk,” defies expectations once again, only more subtly: instead of a thrashing provocation, Young Thug presents a meditation set primarily to gentle piano and guitars. But it seemed that he still had another dramatic shift in him. In the interim, during the pandemic, he released a duet project with the singer Chris Brown, “Slime & B,” and a compilation promoting his record label, YSL, called “Slime Language 2”-standard obligatory trappings of modern-day rap king making. Young Thug was now a full-fledged rap star, and everyone awaited his encore. That changed in 2019, when his album “So Much Fun” topped the Billboard 200 charts, propelled by “The London,” a more by-the-numbers single with J. It seemed like his inscrutability might keep him off the pop charts some albums were downgraded to mixtapes and some releases were delayed and ultimately shelved. From the start, he was one of the most exciting musicians working, but that didn’t translate to fame immediately. Since his days on the mixtape circuit, in the early twenty-tens, Young Thug has been a weirdo rapper who relies on an extraterrestrial approach to using Auto-Tune, a cartoonish disposition, and a unique vocabulary of squeals and squawks. ![]() ![]() Just when you think you’ve finally made sense of him, he sheds his skin once more. Top Forty radio has become more attuned to his frequency in recent years, especially with the rise of his pupils, the chart-toppers Lil Baby and Gunna, but Young Thug remains too lively to get a permanent read on. For the better part of a decade, the enchanting rapper Young Thug has grown exponentially more unpredictable, even as hip-hop has shifted in the direction of his style.
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